Halfsaint

Journal of an Author and Essayist from Manila, Philippines

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Random Thoughts

Random Thoughts

I spend my days studying law, agriculture, and other subjects. When I go outside, I watch and learn, guided by what I have read and what my mother teaches me. I reflect on things like how Manuel L. Quezon came from farming stock as I walk the old streets as a passerby and ordinary citizen.

I imagine the Chinese mestizo father and Spanish mestiza mother who raised Manuel L. Quezon, tilling fields yielding rice, corn, and vegetables, exchanging produce fairly within a neighborhood economy, living on twelve pesos a month, yet sustaining their family with dignity. There is an elegance to such sufficiency, a quiet power that requires no embellishment. I read about his life, which could have unfolded like a pastoral among the pastures of his province, through Carlo Quirino’s scholarly work on Manuel L. Quezon.

Aristotle spoke of eudaimonia, a life lived in accordance with purpose and virtue, where function is fulfilled with excellence. A thing is good, he argued, when it performs its function well. I write from the posture of a thoughtful, discerning citizen of the Philippines, and when I think about building a replicable, agile model for the intelligence of land in this country, I begin here: the law is an inquiry into a good life. Not rhetoric, to clarify. Even institutions like the old Army and Navy Club remind me that power, at its best, dresses itself in civility, and authority prefers quiet rooms to loud proclamations.

Consider agarwood, for instance. Known locally as lapnisan or eaglewood, agarwood is among the most valuable woods in the world, prized for its resin used in perfumery, burned in rituals, prescribed in traditional medicine. Southeast Asia supplies much of the global market. With proper cultivation, research, and ethical harvesting protocols, agarwood could become a high-value, low-volume crop suitable even for smallholders. It requires patience. Trees take years to mature, resin forms slowly, and markets reward restraint over haste. In other words, it suits the Filipino farmer who understands waiting.

Beyond agarwood, the country produces hardwoods and fast-growing species used in engineered wood products such as phenolic boards, plywood, and laminated panels. Sustainable forestry, bamboo cultivation, and agroforestry systems offer income while restoring watersheds and soil health. Bamboo, in particular, grows quickly, sequesters carbon, and can be processed into construction material, furniture, and even textiles.

Then there is water. The government, through the Bureau of Fisheries and Aquatic Resources, has long promoted fish ponds, mariculture parks, and inland aquaculture. An agriculture magazine has documented these efforts for years: tilapia ponds in Nueva Ecija, bangus farms in Pangasinan, seaweed cultivation in Mindanao. Technology now allows even small barangays to operate scalable aquaculture systems with aeration, water quality monitoring, and feed optimization. These are not only income-generating. They are age-inclusive. Seniors who can no longer till land can manage ponds, oversee feeding schedules, monitor growth.

I also think about land banking, lessons my mom has taught me, and about government bonds and other financial products. I’m happy watching Spanish goats and other farm animals on Philippine farms in farming videos while scrolling through social media as well.

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Reading Khadijah’s story brought me peace, and my admiration for her grew more. Indeed, she inspired me to embrace my own path with courage and compassion. Goodreads

I’m Khadijah

I call myself a halfsaint, someone who tries without pretending. I am an author and essay writer from the Philippines who believes in simple values. I try to love my parents with patience, work honestly without chasing perfection, and choose kindness in small, everyday ways. I believe in God and in prayer, not as a performance, but as an honest conversation. I stumble, I learn, and I keep trying. This website is my personal writing journal and author blog, a place for my reflective essays and other writing work. Here, I share personal essays and reflections shaped by faith, daily life in the Philippines, and the beauty of honest imperfection.

The Halfsaint

The Halfsaint carries the private attentiveness of a journal and the public clarity of a magazine. The Halfsaint honors the belief that what is written with care will always find its audience. I am working on a journal, which is also a magazine all at once, that draws from the quiet discipline of the 1940s, when writing trusted the reader and design knew when to step back, that revives the temper and discipline of the 1940s. That era valued intelligible language, orderly pages, and ideas strong enough to stand without embellishment. It favors composure over urgency, meaning over excess, and elegance that comes from precision rather than display. In doing so, the magazine offers something rare today: writing that respects attention, yet everything earned it. It’s a way of restoring clarity in contemporary times. The Halfsaint honors the belief that simplicity is the refinement of depth. To write this way now is to choose elegance over spectacle to create space for reflection while remaining intelligible and thoughtful.

I learned this kind of writing the traditional way. I spent long hours with the Grammar and Comprehension series by Prentice Hall, with The Elements of Style, and with stacks of magazines, brochures, pamphlets, and everyday printed matter from the 1940s onward, most of them found through online libraries, preserved like pressed flowers. There is a virtue in returning to that era’s sensibility, especially now. Elegance is a form of respect for the reader’s time, for the subject at hand, and for the craft itself. It becomes legible not just today, but years from now, like a well-kept book. I speak in a voice that earns trust rather than demands attention. It reads well today, and it will still read well when the fads have moved on, which is the real test of good work.

Writing Services

It is my writing that invites reflection while delivering information, essays that instruct without pedantry, and content that persuades without resorting to artifice. It is to receive work that is legible and intelligible, precise and expansive, disciplined and expressive. It is to invest in writing that will endure, that will resonate, and that will serve as a reflection of thought, intention, and discernment. The result is work that is legible today, intelligible tomorrow, and respected for years to come. Each arrangement of thought is weighed as one might weigh coins by hand, feeling the difference in balance, density, and value. To procure writing from me is to procure a work of refinement, where cadence is cultivated as rigorously as vocabulary or argument. It is to invest not only in writing, but in the experience of reading, in the satisfaction that comes from clarity imbued with elegance, precision, and resonance.

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The Intelligence of Land

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